Taos, New Mexico—Wednesday, November 19, 2003
— The Aloni Reznik Studio welcomes the holidays with a new
exhibit featuring works by widely recognized embroiderer Mical Aloni
and acclaimed photographer Assaf Reznik. The decadent holiday reception
will be at the Aloni Reznik Studio on Saturday, December 13 from
4-7pm at 316 Burch, Taos, NM.
The Lovers and Dancers exhibit illustrates the interplay of movement,
luminosity, and transformation. The compositions, which include
intricate embroidery and fine art photography, swirl with blazing
passion in golden hues and bright white light. “Rituals around
the world bring light into people’s hearts to uplift their
spirit during the dark winter months,” says Reznik. “Light
is essential. It is symbolic, beautiful, comforting and transforming.
Hanukah, the Jewish holiday of light, celebrates the miracle when
one day’s supply of lamp oil lasted for eight days in the
House of God in Jerusalem. This is symbolic to me: if one has a
spark, just an initiation of light, it may last longer than one
expects. It’s fitting to introduce this work during the holidays.”
Aloni’s new series of embroidery consists of portraits of
Taos women, some of which will debut in the Lovers and Dancers exhibit.
“My intention in this body of work is to let the models choose
how they want to present themselves to the world”, says Aloni.
“I give them a stage to express their fantasies, their imagination
and creativity. With my needle and thread, I hope to act as a catalyst
for their vision. In this way, I share the canvas with each of these
incredible women.”
Also on display will be Reznik’s eclectic retrospective on
dance, love and movement. In his new photographs, Reznik captures
the sensuality of the human form with flames, light and uniquely
captured motion—photographic techniques distinctive to Reznik’s
work. Seven of the images depict Nikesha, a beautiful ethnic dancer
from Taos in a series of mysterious and striking movements.
The couple will unveil their newest collaborative photo-embroidery
work, The Emergence from a Cocoon, a self portrait of Aloni. The
piece depicts Aloni emerging in thread from an abstract mask-like
nude image that Reznik created. The resulting image is a combination
of mirrored nude portraits becoming one—a cocoon which breaks
open, revealing the color, lines and threads of the couple’s
unified work of photography and embroidery, hence the pseudonym
M.A. Razoni. The couple clearly shares a vision of aesthetics, leading
to a tantalizing, harmonious tension between the two mediums.
Aloni is represented by several galleries and her work was recently
featured at a lecture on Fiber and Feminism at the Fiber Art Center
and Women’s Fund of Western Massachusetts. Three pieces from
the Honeymoon Album portfolio are on display through January18,
2004 at the prestigious Contemporary Art/Taos exhibit at The Harwood
Museum of Art. Her work is also in the permanent collection of the
American Craft Museum in New York.
Reznik won Best of Photography at the Taos Fall Arts Festival 2003
for Gallop, a 27 x 40 inches print from his Garma collection of
Aboriginal ceremonial dances in Northern Australia. Another piece
from the Garma portfolio, Harvest, is in the permanent collection
of the Harwood Museum of Art in Taos, NM. His work is also represented
by Art Resource Group gallery in Arroyo Seco, NM.
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